Özet
In Rhea (1982), Askevold elaborates on his interest in allusion and implication, using images that seem to be fragments of a larger narrative to suggest, rather than tell, a story. This piece consists of a series of close-up shots of numerous people, each stating a name or phrase. The shots gesture towards the type of staged reaction shot, often used in soap operas or made-for-TV movies, interrupting the linearity of the story.
Oyuncular
Ekip
- Yönetmen
- David Askevold
- Görüntü yönetmeni
- David Askevold
- Müzik
- David Askevold
- Kurgu
- David Askevold
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