
Özet
Dabin, a 27-year-old woman studying films, began calling herself a feminist three years ago. She goes out without makeup, checks hidden cameras when using public restrooms, thinks of domestic violence at the cries of a woman next door, participates in street rallies, and gets hurt by her family’s reaction to the feminist movement. When a Hen Crows is a private essay film exploring the gender identity of a woman in her twenties in Korea using the narration of the director’s diary, referring to herself as a third-person ‘woman.’ Scenes of a family moving show a sense of the home video. Rather than making a clear voice toward the world, the self-reflection and sincere gaze look into the subtle movements of internal emotions.
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