Özet
How can one find “spaces of agency” (bell hooks) in a racist film? How can unseen, unacknowledged labor be rendered visible videographically? And why is a VHS tape of "Gone with the Wind" preferable to all remasterings?
Oyuncular
Ekip
- Yönetmen
- Johannes Binotto
- Kurgu
- Johannes Binotto
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As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
Ex Libris: The New York Public Library
Seduced and Abandoned
The Class of ‘92