Jean-Baptiste Siméon Chardin « La saveur de l’immobile, La Raie » (1995)

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A still life featuring a large fish, painted in the Dutch manner, The Ray immerses us in the quiet life of familiar objects that the artist took pleasure in depicting. The careful search for the exact placement of each kitchen utensil and each piece of fruit was a long and meticulous process through which Chardin gave his work symbolic or historical meaning.

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Alain Jaubert