Özet
Daughter of Nectar, a gracefully carved marble nude from 1921 by Huang Tu-shui, Taiwan's inaugural modern sculptor, encapsulates a complex century of Taiwanese history, spanning from Japanese colonisation to Chiang Kai-shek's authoritarian rule and the White Terror era. This sculpture, both delicate and resilient, stands as a silent sentinel, mirroring the enduring struggles, suppressed voices, and profound cultural transformations of its homeland.
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